Plain Text

[ Plain Text ] (English + French)
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a semi-annuel publication of exploratory typography
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(by Plain Form)

From fiction to theory, from mystical analyses to visual works, Plain Text aims at exploring typographic imaginaries, moving beyond a strictly historical and technical framework, with a taste for the unknown and the dormant potential of writing.

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Plain Text 4
Plain Text 4
———(80p)—————(EN / FR)———[210 × 297mm]
———(10€)———(Oct 26)
(EN / FR)———(80p)
(Oct 26)———(10€)
[210 × 297mm]
Pre-order
  • The forms of idiocy

    Gabriele Čepulytė on asemic writing and the practice of Achim Reichert

  • The right distance

    Conversation with Radim Peško on gaps, grafting and going further

  • Transference

    A fiction by Chloé Delchini about language, bodies and transformation

  • Express exegesis

    Benjamin Dumond reads intentions and builds bridges between typefaces

  • Valences of the typographic

    An essay on typology and historical force by Marcus Leis Allion

  • Drawing worlds

    Anne-Dauphine Borione on dragons and typographic quests

  • Beyond language

    Yunru Li redraws Latin writing, from gesture to forms

  • Two-headed creature

    On the Berlin key and what it has to say for itself, by Lucas Descroix

  • The ritual of writing

    Alexandre Michel turns to magic and performance to rethink letters

  • Wild lines

    Nature finds its way into Stephanie Specht’s visual language

  • Whose font is it anyway?

    Erik Carter considers ownership: invention, tools and the Font Wars

Plain Text 3
Plain Text 3
———(80p)—————(EN / FR)———[210 × 297mm]
———(14€)———[ISBN 978-2-9597254-3-2]—————(Jui 26)
(EN / FR)———(80p)
(Jui 26)———(14€)
[210 × 297mm]
[ISBN 978-2-9597254-3-2]
  • Cultivate margins

    Benjamin Dumond on typography as a multiple practice.

  • Fried egg

    Eugénie Bidaut on legibility, inclusivity and odd contrast methods.

  • Their XYZ, our ABC

    Luther R. Marsh frames letters as humble forms with world-shaping force.

  • Playing the alphabet

    Three type design projects tuned to rhythm, drums, and improvisation.

  • Double vision

    Eyes, letters and society: Thomas Huot-Marchand on Émile Javal.

  • (a poem)

    Alex Balgiu explores the visual grammar of ornament.

  • Alphabetic journeys

    Conversation with Johanna Drucker on the life and magic of alphabets.

  • Inscrypted

    Strokes and whispers of unseen worlds, collected by Hélène Marian.

  • Leave meaning behind?

    Asemic writing and the play of absence, by Gabriele Čepulytė.

  • Marks, signs, stories

    In the shadows of alphabets: Lucas Descroix roams with Marc Pessin.

  • Living entities

    In Mankun Guo’s work, type stirs, shifts, and takes shape.

  • Traditions and treachery

    Ariel Martín Pérez reflects on absent letters in the Canaries Islands.

  • Missing sign

    Stories with bits of letters inside: new fictions from Plain Form.

Plain Text 2
Plain Text 2
———(80p)—————(EN / FR)———[210 × 297mm]
———(14€)———[ISBN 978-2-9597254-1-8]—————(Fév 25)
(EN / FR)———(80p)
(Fév 25)———(14€)
[210 × 297mm]
[ISBN 978-2-9597254-1-8]
  • Writing Beyond the Latin Empire

    Tim Brookes from Endangered Alphabets explores the alterity of writing systems.

  • Of metal and mold

    Non-static letters from Aliona Ciobanu and Alec Vivier-Reynaud.

  • Emergent realities

    Inner dialogue from the collective behind the Inscript festival.

  • Serif Obscura

    Benjamin Dumond looks at cinema for typographic concepts.

  • Constellating typography

    A dialectic view on type design by Marcus Leis Allion.

  • Server the signal

    Simon Renaud creates a dialogue between inspirations and research.

  • Droplets

    A short fiction by Mardi Forestier, where variations infuse meaning.

  • Expanding territories

    Conversation with Hervé Aracil: teaching, invention and Gilles Deleuze.

  • Risky pedagogy

    Exploratory works from HAW Hamburg, with Pierre Pané-Farré.

  • Ants, spiders and bees

    Different ways of dealing with historical sources by Lucas Descroix.

Plain Text 1
Plain Text 1
———(96p)—————(EN / FR)———[210 × 297mm]
———(14€)———[ISBN 978-2-9597254-0-1]—————(Jan 25)
(EN / FR)———(96p)
(Jan 25)———(14€)
[210 × 297mm]
[ISBN 978-2-9597254-0-1]
Sold out Read online
  • Family Business

    Lucas Descroix views type families through parables.

  • Trust the Process

    A dive into Anne-Dauphine Borione’s energetic letters.

  • Legend of the Printer’s Devil

    Printing might be pure evil, according to William Skeen.

  • Shape of a Thousand Universes

    Eager Zhang’s poetic outlook on type and languages.

  • Asemic What?

    A conversation with Stefan Ellmer about (non-)sense.

  • Emomania

    Ayasha Khan explores the border between text and images.

  • Type as a Labyrinth

    What Benjamin Dumond means when he says “experimental”.

  • Atlas

    Non-verbal links in a well-arranged array of images.

  • Weavings

    Zuzana Licko brings type design mechanisms into other fields.

  • One Last Request

    Fonts destroy the world, by Verso Wurm, illustrated by Arman Mohtadji.

  • Ancient Mysteries of Writing

    Archeologist Kirsten D. Dzwiza on letters and ancient magic.

  • Express Exegesis

    Reading intentions and building bridges between typefaces.

About

Plain Text is a publication for contemporary type design, created by type foundry Plain Form. Each issue features diverse content — essays, interviews, portfolios, re-publications, fiction as well as visual works — to satiate both type design experts, with contributions from or about recognized practitioners just as well as recent students, and the generally curious, with insights valuable to anyone interested in language and communication.

We defend a poetic vision of type design and aim for Plain Text to be a space where letters are free from utilitarian expectations, allowing designers, writers, and typography enthusiasts to share trials, doubts, successes, and failures, contributing to a theory of type design that is poetic, eclectic and federated.

At Plain Form, we have a passion for bizarre typographic ideas. We love, collect and study typefaces that are non-standard, in their form as well as in the stories that they tell. For us, these experimental practices have the potential to redefine the way we think and work in the field of type design.

By publishing Plain Text twice a year, we aim to reflect what the world of writing systems is, or could be, all about: a dynamic, ever-changing and constantly redefining research.

Plain Text is an independent magazine, edited, designed and published by Lucas Descroix and Benjamin Dumond. By relying on direct online sales and deposits in a few specialized bookshops, without going through a distributor, we can offer an affordable price, especially for a student audience. If you buy the magazine, make a donation or tell others about it, you're directly supporting the project! Don't miss any release or type-related news by following us on social media and subscribing to our newsletter.

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You’re involved in experimental typography? You produce fiction, memes or solitary monologues about language and its forms? You participate in building or studying typographic imaginaries?

Let us know!

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Thinking of featuring Plain Text in a media? Download our press kit, which contains a presentation of the project, some HD images, and short texts on each issue, its content and contributors.

Press kit

Support

Plain Form is an association whose aim is to spread conceptual and visual research in the fields of typography, writing forms and graphic design, to bring historical knowledge to the public's attention, and to highlight and encourage contemporary production. If you would like to help us, please donate.

Donate (via HelloAsso)

You are a type foundry? A cultural or private organization? You would like to support research and independent production in typography by sponsoring the magazine? Get in touch: text@plain-form.com.

The latest issue of Plain Text was kindly supported by: